Biography
Clark was born in Bromley (at the time part of the English county of Kent but now part of London) and educated at Marlborough and Peterhouse, Cambridge. He spent his entire working career at Peterhouse save for his work in air photo interpretation for the RAF during the Second World War. For this period, he served as a Squadron Leader.
He became a fellow of the British Academy in 1950, Disney Professor of Archaeology two years later, head of the archaeology and anthropology department in 1956 and Master of Peterhouse from 1973 until 1980. The college has a rowing coxed four named in his honour.
During his career he most famously studied the Mesolithic of northern Europe, excavating at Star Carr between 1949 and 1951, work which remains highly significant in our understanding of the period. He also wrote general works on world prehistory intended for a wide audience and encouraged archaeologists to more closely examine the economic factors relevant to past societies, characterised in his book Prehistoric Europe: the economic basis (1952).
He was also editor of the Proceedings of the Prehistoric Society and its President between 1958 and 1962. He was made a CBE in 1971 and knighted in 1992. He was awarded the Erasmus Prize for Prehistory in 1990.
Read more about this topic: Grahame Clark
Famous quotes containing the word biography:
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)