Early Life and Career
Norton was born in Clondalkin, a suburb of Dublin, but grew up in Bandon, County Cork, Ireland. His father's family were from County Wexford, while his mother is an Ulsterwoman, being from Belfast. He was educated at Bandon Grammar School, in West Cork, and then University College, Cork (U.C.C.), but did not complete his studies.
In 1992 his stand-up comedy drag act in the Edinburgh Festival Fringe as a tea-towel clad Mother Teresa of Calcutta made the press when Scottish Television's religious affairs department mistakenly thought he represented the real Mother Teresa.
His first appearances in broadcasting were in the United Kingdom (rather than his native Ireland), where he had a "spot" as a regular comedian and panellist on the BBC Radio 4 show Loose Ends, when the show ran on Saturday mornings, in the early 1990s. His rise to fame began as one of the early successes of Channel 5, when he won an award for his performance as the stand-in host of a late-night TV talk show usually presented by Jack Docherty. This was followed by a comic quiz show on Channel 5 called Bring Me the Head of Light Entertainment, which was not well received as a programme, but did further enhance Norton's individual reputation as a comic and TV host. In 1996, Norton co-hosted the late-night quiz show Carnal Knowledge on ITV with Maria McErlane.
In 1996, Norton played the part of Father Noel Furlong in three episodes ("Hell", "Flight Into Terror", "The Mainland") of the Channel 4 series Father Ted, which was set in the West of Ireland. Father Noel Furlong was often seen taking charge of a small youth folk-group. Norton gained particular fame in his native Ireland for this role.
Read more about this topic: Graham Norton
Famous quotes containing the words early, life and/or career:
“Progress would not have been the rarity it is if the early food had not been the late poison.”
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“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
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