Style and Themes
Both publishers and critics alike have found difficulty in classifying Joyce as a writer. His novels have been categorized as fantasy, science fiction, horror, and mainstream literature—with some even overlapping genres. Joyce utilizes a wide variety of settings and character perspectives. Settings include Scotland, The English Midlands, Greece, the Middle East, and the jungles of Thailand. He has penned for both adult and juvenile protagonists, with an emphasis on strong female characters. The greater unity in Joyce's works, however, lies in their thematic and philosophical topics. Bill Sheehan, who wrote the introduction for Partial Eclipse, states:
“Among the issues Graham dramatizes are the inevitability of grief, loss, growth, and change, the primal importance of family bonds, the beauty of the feminine, the life altering effects of parenthood, the nature of the creative unconscious, the overwhelming power of the erotic, the corrupting effects of power, the importance of self-awareness, and the fundamental need for order, meaning, and coherence in the face of a chaotic, inimical universe.”
The mystical or supernatural often play a pivotal role in Joyce's works. For this, he taps the mythical or folkloric associations of his settings. Joyce's treatment of these experiences is what distinguishes his novels from genre fiction. The supernatural is not seen as a conflict or an obstacle to be overcome, but rather an integral part of a natural order that a character must accept and integrate. Running parallel to these phenomena is the possibility of a rational or psychological explanation. This literary approach is influenced in part by Joyce's experiences with his own family:
"My grandmother was one of these old women who used to have dreams and visions and messages arriving. She would fall asleep in a chair, there would be a knock on the door, she would go to the door, someone strange would come to the door and deliver a message. And then she would wake up again in her chair. Now my mother and my aunties told me these stories over and over again. But they just lived with it side by side. They didn't fight it as in a fantasy or horror film. They didn't have to overcome it. It didn't get worse and worse and worse. They just accepted this mystery and then they cooked the dinner."
This particular quality has prompted some critics to classify Joyce as a magic realist in the vein of such Latinamerican writers as Gabriel García Márquez or Julio Cortázar. Joyce disagrees with this, feeling that his lineage is tied more closely to writers of the English "weird tale" such as Arthur Machen or Algernon Blackwood. He calls his style of writing "Old Peculiar."
Read more about this topic: Graham Joyce
Famous quotes containing the words style and, style and/or themes:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”
—Jean-Luc Godard (b. 1930)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)