Graeme Edge - Biography

Biography

One of the original members of The Moody Blues, drummer Graeme Edge was a solid foundation for the original 'R & B' flavoured version of The Moodies fronted by Denny Laine, playing on all their Decca singles including the UK chart topping 'Go Now' (January 1965), plus several further if lesser UK chart hits; 'I Don't Want To Go On Without You', 'Everyday', & 'From The Bottom of my Heart (I Love You)' (all 1965).

After the departure of Denny Laine & bassist Clint Warwick and the later recruitment of Justin Hayward & John Lodge in 1966 the band continued initially to play the 'R & B' style material, however after an irate fan dismissed their concert performance as poor Edge is quoted as speaking up to say to his bandmates: 'That guy was right...we WERE Rubbish!' leading the band to decide henceforth to drop the blues style covers and begin writing & recording their own songs only.

Edge initially was a poet for the band contributing 'Morning Glory' and 'Late Lament' to 'Days of Future Passed' in 1967 (narrated by Mike Pinder). Edge himself opened 'In Search of The Lost Chord' (1968) with his brief poem 'Departure' tho' Pinder again narrated his 'The Word' poem later on that set. Further poems provided by Edge included 'In The Beginning' (co-narrated by Hayward, Edge, & Pinder in turn), and 'The Dream' (spoken by Pinder) for 'On The Threshold of A Dream'(1969)

Later in 1969 as the Moodies launched their own label Threshold Records Edge began contributing songs, his 'Higher And Higher' (a spoken lyric over music with a dramatic 'Rocket blast off' opening) commenced 'To Our Children's Children's Children', which also featured his instrumental composition 'Beyond'.

Edge 'whispered' the lyrics to his song 'Don't You Feel Small' over band sung vocals on 'A Question of Balance' (1970) on which he also contributed a co-written with Ray Thomas closing poem/song 'The Balance'.

Edge co-wrote and claims pole position as 'lead grunt' on the unusual band composed opening track; 'Procession' on their album 'Every Good Boy Deserves Favour' in 1971, on which his strong song 'After You Came' featured the four Lead vocalists, Thomas, Pinder, Hayward, & Lodge both together and taking brief solo lead lines in turn, Edge's song was later used as UK 'B' side to the chart hit 'Isn't Life Strange?' in 1972.

For their 1972 'Seventh Sojourn' album, Edge co-wrote 'You And Me' with Justin Hayward who took lead vocal. After the Moodies' world tour ended in 1974 the band members took a break, during which Edge later sailed the seas (between his two 'solo' albums), making a round the world voyage with a small crew in his yacht 'Delia'.

Edge returned to recording later in 1974 forming his studio based 'Graeme Edge Band' (Featuring guitarist/vocalist Adrian Gurvitz) who first issued a non album single 'We Like To Do it' on Threshold (TH 18) in July 1974 (this was later added to his first Graeme Edge Band' album as a 'Bonus' track on the CD release). The Graeme Edge Band then released two albums in the mid 1970s. The first was Kick Off Your Muddy Boots in September 1975 on the Threshold record label, a subsidiary of Decca Records, catalogue number THS 15. It was released as a gatefold with album art by Joe Petagno and featured Adrian Gurvitz and Paul Gurvitz, plus a guest appearance co-drumming with Edge by Ginger Baker (on 'Gew Janna Woman'), and backing vocals by fellow Moodies member Ray Thomas. This first album reached No. 107 in the USA on the Billboard chart. Their second album was Paradise Ballroom in 1977, on the main Decca label, catalogue number TXS 121, and in the U.S. on the London Records label, catalogue number PS 686, the album charted in the USA reaching No. 164 on the Billboard chart. It was also released as a gatefold with album art by Joe Petagno, and again featured Adrian and Paul Gurvitz.

A single 'Everybody Needs Somebody' (taken from the latest album) was issued on Decca (F.13698) with the non album 'B' side 'Be My Eyes' in June 1977.

After The Moodies' reunion in 1978 Edge provided the strong 'I'll Be Level With You' (sung by the group, led by Hayward) for the album 'Octave' on Decca.

For 'Long Distance Voyager' in 1981 Edge contributed '22,000 Days' - the length of an average human lifespan in days - sung by Thomas, Lodge, & Hayward, this was also used as the UK 'B' side of the single 'Gemini Dream'.

Edge's heartfelt 'Going Nowhere' (sung by Ray Thomas) was his lone composition on 'The Present' album in 1983, and he teamed with later Moodies keyboardist Patrick Moraz for 'The Spirit' (sung by the group's vocalists in harmony) on 'The Other Side of Life' album in 1986.

Edge was not featured as a songwriter or poet on either 'Sur La Mer' (1988) and 'Keys of the Kingdom'(1991), and was not drummer on every track on the latter album, however he did contribute the thought provoking closing poem/song 'Nothing Changes' which was initially narrated by himself then sung by The Moodies (Justin Hayward featured) on the 'Strange Times' album issued in 1999.

Edge has been joined onstage by Gordon Marshall as second drummer for Moodies concerts since 1991. In addition to drums Edge has provided varied assorted percussion instrumentation, plus additional piano to The Moodies works, and featured his 'electronic drumkit' from the early seventies onwards on Moodies albums, his drumming style being instantly recognisable and most distinctive.

Edge once admitted on Rockline that his girlfriend Susan would not marry him because she did not want to be named 'Sue Edge' (sewage).

Edge is a fan of Star Trek: Deep Space Nine. An article about him said he has "plenty of time for overseeing some rental properties, doing charity work, playing lots of golf and watching Deep Space Nine at his Sarasota home on Florida's Gulf Coast".

Edge is the only one remaining original member of The Moody Blues still performing in the band (as of September 2012). However, Justin Hayward and John Lodge, from the best-known version of the band, are also still with the band.

Read more about this topic:  Graeme Edge

Famous quotes containing the word biography:

    The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.
    Henry David Thoreau (1817–1862)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)