Graduate School of Chinese Academy of Social Sciences

The Graduate School of Chinese Academy of Social Sciences (GSCASS,simplified Chinese: 中国社会科学院研究生院; traditional Chinese: 中國社會科學院研究生院; pinyin: Zhōngguó Shèhuì Kēxuéyuàn Yánjiūshēngyuàn) is a public educational graduate school located in Beijing as one of the first two graduate schools (with Graduate University of the Chinese Academy of Sciences) of the People’s Republic of China.

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    1946: I go to graduate school at Tulane in order to get distance from a “possessive” mother. I see a lot of a red-haired girl named Maude-Ellen. My mother asks one day: “Does Maude-Ellen have warts? Every girl I’ve known named Maude-Ellen has had warts.” Right: Maude-Ellen had warts.
    Bill Bouke (20th century)

    Miss Caswell is an actress, a graduate of the Copacabana school of dramatic arts.
    Joseph L. Mankiewicz (1909–1993)

    School divides life into two segments, which are increasingly of comparable length. As much as anything else, schooling implies custodial care for persons who are declared undesirable elsewhere by the simple fact that a school has been built to serve them.
    Ivan Illich (b. 1926)

    We can see nothing whatever of the soul unless it is visible in the expression of the countenance; one might call the faces at a large assembly of people a history of the human soul written in a kind of Chinese ideograms.
    —G.C. (Georg Christoph)

    I realized early on that the academy and the literary world alike—and I don’t think there really is a distinction between the two—are always dominated by fools, knaves, charlatans and bureaucrats. And that being the case, any human being, male or female, of whatever status, who has a voice of her or his own, is not going to be liked.
    Harold Bloom (b. 1930)

    ... the idea of a classless society is ... a disastrous mirage which cannot be maintained without tyranny of the few over the many. It is even more pernicious culturally than politically, not because the monolithic state forces the party line upon its intellectuals and artists, but because it has no social patterns to reflect.
    Agnes E. Meyer (1887–1970)

    Criticism is a study by which men grow important and formidable at very small expense. The power of invention has been conferred by nature upon few, and the labour of learning those sciences which may, by mere labour, be obtained, is too great to be willingly endured; but every man can exert some judgment as he has upon the works of others; and he whom nature has made weak, and idleness keeps ignorant, may yet support his vanity by the name of critic.
    Samuel Johnson (1709–1784)