Grace Williams - Biography

Biography

Williams was born in Barry, near Cardiff, Wales.

Both her parents were teachers, and keenly interested in music. Grace learned piano and violin and developed her musical skills early, playing piano trios with her father and her brother Glyn, and accompanying her father’s choir. At the County School she began to develop her interest in composition under the guidance of the music teacher Miss Rhyda Jones, and in 1923 she won the Morfydd Owen scholarship to Cardiff University ( University College of South Wales and Monmouthshire) where she studied under Professor David Evans. In 1926 she proceeded to the Royal College of Music, London, where she was taught by Gordon Jacob and Ralph Vaughan Williams. In 1930 she was awarded a travelling scholarship, and chose to study with Egon Wellesz in Vienna, where she remained till 1931, attending the opera ‘almost every night’. From 1932 she taught in London. During the Second World War, the students were evacuated to Grantham in Lincolnshire, where she composed some of her earliest works, including the Sinfonia Concertante and her first symphony, most of which she subsequently destroyed. One of her most popular works, Fantasia on Welsh Nursery Tunes (1940) was written during this period. "Sea Sketches" for string orchestra, written in 1944 is the first work in which we recognise her mature style. This music is vividly evocative of the sea, in all its variety of moods. In 1945, she returned to her home town, remaining there for the rest of her life, dedicating herself more or less full-time to composition.

Her most enduringly popular work is Penillion, written for the National Youth Orchestra of Wales in 1955, From the first notes of the yearning trumpet solo, accompanied by powerful orchestral cross-currents, the music creates an irresistible impression of poetry and narrative, that could come from nowhere but from the heart of Wales. She revisited some of the same ideas in her Trumpet Concerto of 1963. She had an especial fondness for the instrument, and gave it some the most lyrical solos that any composer has ever written for it. Ballads for Orchestra of 1968, written for the National Eisteddfod, held that year in her home town, has all the colourfulness and swagger of a mediaeval court.

Outstanding amongst her vocal works are her setting of the Latin hymn, Ave Maris Stella, for unaccompanied SATB (1973) and Six Poems by Gerard Manley Hopkins for contralto and string sextet (1958). The cycle is book-ended by two of Hopkins’ best-known poems, Pied Beauty and Windhover, her music perfectly matching the rhythmic subtlety of the texts. These are amongst her most beautiful pieces, the soft melodic and harmonic undulations in Ave Maris Stella (Star of the Sea) suggesting as so often in her music the swelling of the ever present sea. Welsh-language settings include Saunders Lewis’s carol Rhosyn Duw, for SATB, piano and viola (1955), which she later incorporated into her large-scale choral work, Missa Cambrensis (1971).

Her last completed works (1975) were settings of Kipling and Beddoes for the unusual combination of SATB, harp and two horns. The last music she wrote is actually in her Second Symphony, originally composed in 1956, and substantially revised in 1975. During the last 6 months of her life, she undertook a further revision. The first three movements have a gathering depth and intensity, building towards what she must have intended to be a powerful conclusion. However, increasingly unwell, she was unable to complete the work she wanted to do on the last movement, leaving in effect an unfinished symphony. Grace Williams died at the age of 70 in February 1977.

During and after the war, Williams suffered from depression and other stress-related health problems. In 1949, she became the first British woman to score a feature film, with Blue Scar. In 1960-61 she wrote her only opera, The Parlour, which was not performed until 1966. In the same year, she turned down an offer of the OBE for her services to music.

BBC Radio 3 devoted their Composer of the Week segment to her during the second week of August 2006. This resulted in several new performances of long-unperformed works, including her Violin Concerto.