Development
When producer James L. Brooks was working on the television variety show The Tracey Ullman Show, he decided that he wanted to include small animated sketches before and after the commercial breaks. Having seen one of cartoonist Matt Groening's Life in Hell comic strips, Brooks asked Groening to pitch an idea for a series of animated shorts, which Groening initially intended to present as his Life in Hell series. Groening later realized that animating Life in Hell would require the rescinding of publication rights for his life's work. He therefore chose another approach while waiting in the lobby of Brooks's office for the pitch meeting, hurriedly formulating his version of a dysfunctional family that became the Simpsons. He named the characters after his own family members, substituting "Bart" for his own name. Bart was modeled after Groening's older brother, Mark, but given a different name which was chosen as an anagram of "brat". The stories were written and storyboarded by Matt Groening. The family was crudely drawn, because Groening had submitted basic sketches to the animators, assuming they would clean them up; instead they just traced over his drawings. The animation was produced domestically at Klasky Csupo, with Wesley Archer, David Silverman, and Bill Kopp being animators for the first season. After season one it was animated by Archer and Silverman. Georgie Peluse was the colorist and the person who decided to make the characters yellow.
The actors who voiced the characters later reprised their roles in The Simpsons. Dan Castellaneta performed the voices of Homer Simpson, Grampa Simpson, and Krusty the Clown. Homer's voice sounds different in the shorts compared to most episodes of the half-hour show. In the shorts, his voice is a loose impression of Walter Matthau, whereas it is more robust and humorous on the half-hour show, allowing Homer to cover a fuller range of emotions. Castellaneta had been part of the regular cast of The Tracey Ullman Show and had done some voice over work in Chicago alongside his wife Deb Lacusta. Voices were needed for the shorts, so the producers decided to ask Castellaneta as well as Julie Kavner to voice Homer and Marge, rather than hire more actors. Nancy Cartwright and Yeardley Smith performed the voices of Bart Simpson and Lisa Simpson respectively. The recording of the shorts was often primitive; according to Cartwright, the dialogue for the Ullman shorts was recorded on a portable tape deck in a makeshift studio, which consisted of the video engineer suite, above the bleachers on the Ullman show set. While most of the characters' personalities are similar to what they are in the series, Lisa is portrayed as a female version of Bart without the intelligent nature that she possesses in the half-hour series.
The shorts were featured on the first three seasons on The Tracey Ullman Show. By the fourth and last season of The Tracey Ullman Show the first season of the half-hour show was on the air. In the two first seasons the shorts were divided into three or four parts, but in the third season they were played as a single story. Tracey Ullman later filed a lawsuit, claiming that her show was the source of The Simpsons' success and therefore should receive a share of the show's profit. Eventually the courts ruled in favor of the network.
Read more about this topic: Good Night (The Simpsons Short)
Famous quotes containing the word development:
“On fields all drenched with blood he made his record in war, abstained from lawless violence when left on the plantation, and received his freedom in peace with moderation. But he holds in this Republic the position of an alien race among a people impatient of a rival. And in the eyes of some it seems that no valor redeems him, no social advancement nor individual development wipes off the ban which clings to him.”
—Frances Ellen Watkins Harper (18251911)
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—Womens Liberation Workshop, Students for a Democratic Society, Radical political/social activist organization. Liberation of Women, in New Left Notes (July 10, 1967)
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—L. P. Wandersman (20th century)