Early Life
Hawn was born in Washington, D.C., the daughter of Laura (née Steinhoff), a jewelry shop/dance school owner, and Edward Rutledge Hawn, a band musician who played at major events in Washington. She was named after her mother's aunt. She has a sister, Patricia; her brother, Edward, died before she was born. Through her father, Hawn is a direct descendant of Edward Rutledge, the youngest signatory of the Declaration of Independence. Hawn was raised in Takoma Park, Maryland, a suburb of Washington, D.C., and attended Montgomery Blair High School in nearby Silver Spring, Maryland. Her father was Presbyterian and her mother was Jewish, the daughter of immigrants from Hungary; Hawn had a Jewish upbringing.
Hawn began taking ballet and tap dance lessons at the age of three, and danced in the chorus of the Ballet Russe de Monte Carlo production of The Nutcracker in 1955. She made her stage debut in 1961, playing Juliet in a Virginia Shakespeare Festival production of Romeo and Juliet. By 1964, she ran and taught in a ballet school, having dropped out of American University, where she was majoring in drama. In 1964, Hawn made her professional dancing debut in a production of Can-Can at the Texas Pavilion of the New York World's Fair. She began working as a professional dancer a year later, and appeared as a go-go dancer in New York City.
Read more about this topic: Goldie Hawn
Famous quotes containing the words early life, early and/or life:
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
—Hortense Odlum (1892–?)
“[In early adolescence] she becomes acutely aware of herself as a being perceived by others, judged by others, though she herself is the harshest judge, quick to list her physical flaws, quick to undervalue and under-rate herself not only in terms of physical appearance but across a wide range of talents, capacities and even social status, whereas boys of the same age will cite their abilities, their talents and their social status pretty accurately.”
—Terri Apter (20th century)
“The imaginary audience for my life is growing small and silent.”
—Mason Cooley (b. 1927)