Appearances in Popular Culture
The area is the setting of the humorous short story "The Ghoul of Golders Green" (May Fair, 1925) by Michael Arlen. In the Goon Show, a running gag was that the Israeli Embassy was located in Golders Green, owing to the suburb's large Jewish community.
George Harrison recorded an unreleased track called "Going Down to Golders Green". This came about because he would visit members of the pop group Badfinger, who lived at 7 Park Avenue, off North End Road, situated on the borders of Golders Hill Park. Golders Green is the name of a character in the 2002 film 9 Dead Gay Guys.
A second posthumous album release of the music of Pete Ham of the pop group Badfinger is entitled Golders Green. The first posthumous album release was entitled 7 Park Avenue, named after the address of Badfinger's band residence in Golders Green.
Andrew Sanger's novel The J-Word (Snowbooks, 2009) is set in Golders Green. Protagonist Jack Silver is attacked by an anti-semitic mob behind the tube station. He saves a rabbi's life before they turn on him. In 2009 a house on West Heath Avenue was used by TV show The X Factor for the contestants and received press coverage after it was mobbed by fans.
The classical chant Jolly-Bob från Aberdeen by the Swedish singer Lasse Dahlquist, tells the story about a young sailorman from Aberdeen town who is getting married with a damsel from Golders Green.
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Famous quotes containing the words appearances, popular and/or culture:
“We often think ourselves inconsistent creatures, when we are the furthest from it, and all the variety of shapes and contradictory appearances we put on, are in truth but so many different attempts to gratify the same governing appetite.”
—Laurence Sterne (1713–1768)
“An aesthetic movement with a revolutionary dynamism and no popular appeal should proceed quite otherwise than by public scandal, publicity stunt, noisy expulsion and excommunication.”
—Cyril Connolly (1903–1974)
“Our culture still holds mothers almost exclusively responsible when things go wrong with the kids. Sensing this ultimate accountability, women are understandably reluctant to give up control or veto power. If the finger of blame was eventually going to point in your direction, wouldn’t you be?”
—Ron Taffel (20th century)