Best Foreign Film
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- 1950: The Bicycle Thief (Ladri di biciclette) (Italy)
- 1951: The Walls of Malapaga (Le mura di Malapaga) (Italy)
- 1952: Rashomon (羅生門) (Japan)
- 1953: The White Reindeer (Valkoinen peura) (Finland)
- 1955: Twenty-Four Eyes (Nijushi no hitomi) (Japan); No Way Back (Weg Ohne Umkehr) (West Germany); The Lady of the Camellias (Argentina); Genevieve (United Kingdom)
- 1956: Ordet (The Word) (Denmark); Stella (Greece); Sons, Mothers, and a General (Kinder, Mutter und Ein General) (West Germany); Eyes of Children (Japan); Dangerous Curves (1955 film) (United Kingdom);
- 1957: Before Sundown (Vor Sonnenuntergang) (West Germany); The Girl in Black (To Koritsi me ta mavra) (Greece); Richard III (United Kingdom); Roses on the Arm (Taiyo to bara) (Japan); War and Peace (Italy); The White Reindeer (Valkoinen Peura) (Finland)
- 1958: Confessions of Felix Krull (Bekenntnisse des Hochstaplers Felix Krull) (West Germany); Tizoc (Mexico); Woman in a Dressing Gown (United Kingdom); Yellow Crow (Kiiroi karasu) (Japan)
- 1959: Die Brücke (The Bridge) (West Germany)
- 1960: Black Orpheus (Orfeu Negro) (Brazil/France)
- 1961: The Virgin Spring (Jungfrukällan) (Sweden)
- 1962: Through a Glass Darkly (Såsom i en spegel) (Sweden)
- 1963: Sundays and Cybele (Les Dimanches de Ville d'Avray) (France)
- 1964: 8½ (Italy)
- 1965: Yesterday, Today, and Tomorrow(Italy) http://en.m.wikipedia.org/wiki/Yesterday,_Today_and_TomorrowGirl with Green Eyes (UK); Matrimonio all'italiana (Marriage Italian-Style) (Italy); Sallah Shabati (Israel)
- 1966: Juliet of the Spirits (UK); Giulietta degli spiriti (Italy)
- 1967: A Man and a Woman (UK); Un homme et une femme (France)
- 1968: Live for Life (UK); Vivre pour vivre (France)
- 1969: War and Peace (UK); Voyna i mir (Russia)
- 1970: Z (Algeria)
- 1971: Rider on the Rain (UK); Le Passager de la Pluie (France)
- 1972: The Policeman (UK); Ha-Shoter Azulai (Israel)
- 2011: A Separation (Iran)
Read more about this topic: Golden Globe Award For Best Foreign Language Film
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—Ralph Waldo Emerson (18031882)
“Film music should have the same relationship to the film drama that somebodys piano playing in my living room has to the book I am reading.”
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