Golden Gate Park in Film
Charlie Chaplin filmed scenes for at least two movies in the park including A Jitney Elopement and In the Park, both from 1915. A scene in Orson Welles' The Lady from Shanghai was shot in the Steinhart Aquarium in the old California Academy of Sciences building, and the Conservatory of Flowers was filmed in Harold and Maude.
Dirty Harry scenes were filmed in Kezar Stadium, located in Golden Gate Park.
The Klingon starship in Star Trek IV: The Voyage Home is said to land in the park, but the scene was actually filmed at Will Rogers State Historic Park near Los Angeles.
A scene from The Pursuit of Happyness was shot in the Children's Playground.
"Scaramouche" 1952 scenes of duels looking west into the fog at Speedway Meadows, interiors in De Young Museums old period rooms.
"Line-up" 1958 scenes shot inside Steinhart Aquarium.
Bugs Bunny cartoon "Bushy Hare" 1950 Bugs pops up in Golden Gate Park with Lloyd Lake Portals to the Past, the remains of the A.E. Towne mansion from the 1906 Earthquake.
In the TV Series Eli Stone, in the episode "Waiting for that Day", some citizens of San Francisco seek refuge in the park during a 6.8 earthquake. They later witness the destruction of the Golden Gate Bridge from the park, though in reality, the bridge isn't visible from the park.
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Famous quotes containing the words golden, gate, park and/or film:
“A thousand golden sheaves were lying there,
Shining and still, but not for long to stay—
As if a thousand girls with golden hair
Might rise from where they slept and go away.”
—Edwin Arlington Robinson (1869–1935)
“The approval of the public is to be avoided like the plague. It is absolutely essential to keep the public from entering if one wishes to avoid confusion. I must add that the public must be kept panting in expectation at the gate by a system of challenges and provocations.”
—André Breton (1896–1966)
“Borrow a child and get on welfare.
Borrow a child and stay in the house all day with the child,
or go to the public park with the child, and take the child
to the welfare office and cry and say your man left you and
be humble and wear your dress and your smile, and don’t talk
back ...”
—Susan Griffin (b. 1943)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)