Response To Television's Popularity
Television did not quite play the role in people's lives in the 1950s that it does now. However, by about 1958, it had become the dominant form of home entertainment, depleting audiences in movie theaters. It was the fear of this that drove movie studios to begin using widescreen and 3-D processes in 1952, an effort to lure audiences back with technical innovations they could not see at home (such as color, which was not common in television until the 1960s). Widescreen became a permanent feature of film; 3-D's popularity was shorter-lived and would not become widespread until the 2000s.
Read more about this topic: Golden Age Of Television
Famous quotes containing the words response to, response, television and/or popularity:
“Because humans are not alone in exhibiting such behavior—bees stockpile royal jelly, birds feather their nests, mice shred paper—it’s possible that a pregnant woman who scrubs her house from floor to ceiling [just before her baby is born] is responding to a biological imperative . . . . Of course there are those who believe that . . . the burst of energy that propels a pregnant woman to clean her house is a perfectly natural response to their mother’s impending visit.”
—Mary Arrigo (20th century)
“[In response to this question from an interviewer: “U. S. News and World Report described you this way: ‘She’s intolerant, preachy, judgmental and overbearing. She’s bright, articulate, passionate and kind.’ Is that an accurate description?”:]
It’s ... pretty good [ellipsis in original].”
—Joycelyn Elders (b. 1933)
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.”
—David Mamet (b. 1947)