Golden Age of Television - Response To Television's Popularity

Response To Television's Popularity

Television did not quite play the role in people's lives in the 1950s that it does now. However, by about 1958, it had become the dominant form of home entertainment, depleting audiences in movie theaters. It was the fear of this that drove movie studios to begin using widescreen and 3-D processes in 1952, an effort to lure audiences back with technical innovations they could not see at home (such as color, which was not common in television until the 1960s). Widescreen became a permanent feature of film; 3-D's popularity was shorter-lived and would not become widespread until the 2000s.

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Famous quotes containing the words response to, response, television and/or popularity:

    Parents’ accepting attitudes can help children learn to be open and tolerant. Parents can explain unfamiliar behavior or physical handicaps and show children that the appropriate response to differences should be interest rather than revulsion.
    Dian G. Smith (20th century)

    Play for young children is not recreation activity,... It is not leisure-time activity nor escape activity.... Play is thinking time for young children. It is language time. Problem-solving time. It is memory time, planning time, investigating time. It is organization-of-ideas time, when the young child uses his mind and body and his social skills and all his powers in response to the stimuli he has met.
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    In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.
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    The popularity of that baby-faced boy, who possessed not even the elements of a good actor, was a hallucination in the public mind, and a disgrace to our theatrical history.
    Thomas Campbell (1777–1844)