Godzilla Vs. Mechagodzilla - Production

Production

Giant Monsters Converge on Okinawa! Showdown in Zanpamisaki was the original concept for the 20th anniversary film for the Godzilla franchise. The story was created by Shinichi Sekisawa and Masami Fukushima, while the screenplay was developed by Hiroyasu Yamaura and Jun Fukuda and was submitted in 1973. The concept continued the trend of aliens using a monster to try and conquer Earth, and was also the second attempt to try and create an entry in the Godzilla series that took place in Okinawa after the scrapped Godzilla vs. Redmoon. Nami, best known as the princess who awoke King Caesar by singing to him. If she was going to play a similar role with Mothra in this production, or something else altogether, is unknown.

Eventually, this idea was taken back to the drawing board for a heavy reworking. In its next phase of script writing, Mothra and Garugan had been replaced by King Barugan and Mechagodzilla respectively while this new draft was titled Showdown in Zanpamisaki: Godzilla vs Mechagodzilla. The Garuga Aliens were also replaced with the Black Hole Aliens, while the disguise aspect of Mechagodzilla was added in. In terms of King Barugan, the creature was a crimson and bronze colored monster that was 50 meters tall, weighed 30,000 tons, boasted prism reflective eyes and horns that were said to deliver the final blow to his enemies. During the concept phase, the horns were dropped and the name was changed to King Caesar, leading to the final version of Godzilla vs. Mechagodzilla (1974).

Read more about this topic:  Godzilla Vs. Mechagodzilla

Famous quotes containing the word production:

    ... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.
    Jane Addams (1860–1935)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.
    Erich Fromm (1900–1980)