God Knows I'm Good - Composition

Composition

Still one of Bowie's best-known songs, "Space Oddity" was a largely acoustic number augmented by the eerie tones of the composer's Stylophone, a pocket electronic organ. The title and subject matter were inspired by Stanley Kubrick’s 2001: A Space Odyssey and introduced the character of Major Tom. Some commentators have also seen the song as a metaphor for heroin use, citing the opening countdown as analogous to the drug's passage down the needle prior to the euphoric 'hit', and noting Bowie's admission of a "silly flirtation with smack" in 1968. His 1980 hit "Ashes to Ashes" declared "We know Major Tom's a junkie".

"Unwashed and Somewhat Slightly Dazed" reflected a strong Bob Dylan influence, with its harmonica, edgy guitar sound and snarling vocal. "Letter to Hermione" was a farewell ballad to Bowie's former girlfriend, Hermione Farthingale, who was also the object of "An Occasional Dream", a gentle folk tune reminiscent of the singer's 1967 debut album. "God Knows I'm Good", Bowie's observational tale of a shoplifter's plight, also recalled his earlier style.

"Cygnet Committee" has been called Bowie’s "first true masterpiece". Commonly regarded as the album track most indicative of the composer's future direction, its lead character is a messianic figure "who breaks down barriers for his younger followers, but finds that he has only provided them with the means to reject and destroy him". Bowie himself described it at the time as a put down of hippies who seemed ready to follow any charismatic leader. Another track cited as foreshadowing themes to which Bowie would return in 1970s, in this case the fracturing of personality, was "Janine", which featured the words "But if you took an axe to me, you’d kill another man not me at all".

The Buddhism-influenced "Wild Eyed Boy from Freecloud" was presented in a heavily-expanded form compared to the original guitar-and-cello version on the B-side of the "Space Oddity" single; the album cut featured a 50-piece orchestra and was also notable for Mick Ronson's debut on a Bowie record, playing uncredited guitar and handclaps midway through the song. "Memory of a Free Festival" was Bowie's reminiscence of an arts festival he had organised in August 1969. Its drawn-out fade/chorus ("The Sun Machine is coming down / And we're gonna have a party") was compared to The Beatles' "Hey Jude"; the song has also been interpreted as a derisive comment on the counterculture it was ostensibly celebrating. In 1970 Bowie cut the tune in half for the A- and B-sides of a more rock-oriented version featuring the band that would accompany him on The Man Who Sold the World later that year: Mick Ronson, Tony Visconti and Mick Woodmansey – an embryonic form of Ziggy Stardust's Spiders From Mars.