Direction of Play
The direction of play is a higher level concept in the opening, relating to the efficiency of stones played on the board. This involves the important trade-off between overconcentration (korigatachi) and vagueness - between playing a move that accomplishes too little and a move that tries to accomplish too much. Additionally, the stones already played are taken into consideration. The players aim not only at making efficient new moves, but also at playing moves that heighten the value of their previous moves, and at achieving maximum harmony in a global sense. One must strive to make each stone played important and valuable, that is, utilize its aji to the fullest extent possible. Thus, choosing the correct direction of play requires not only a deep understanding of the value of thickness, but also demands a good sense of positional judgment from the players.
Read more about this topic: Go Strategy And Tactics
Famous quotes containing the words direction of, direction and/or play:
“Not I, not I, but the wind that blows through me!
A fine wind is blowing the new direction of Time.”
—D.H. (David Herbert)
“It is not easy to construct by mere scientific synthesis a foolproof system which will lead our children in a desired direction and avoid an undesirable one. Obviously, good can come only from a continuing interplay between that which we, as students, are gradually learning and that which we believe in, as people.”
—Erik H. Erikson (20th century)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)