Gnosticism in Modern Times
A number of 19th century thinkers such as William Blake, Arthur Schopenhauer, Albert Pike and Madame Blavatsky studied Gnostic thought extensively and were influenced by it, and even figures like Herman Melville and W. B. Yeats were more tangentially influenced. Jules Doinel "re-established" a Gnostic church in France in 1890 which altered its form as it passed through various direct successors (Fabre des Essarts as Tau Synésius and Joanny Bricaud as Tau Jean II most notably), and which, although small, is still active today.
Early 20th century thinkers who heavily studied and were influenced by Gnosticism include Carl Jung (who supported Gnosticism), Eric Voegelin (who opposed it), Jorge Luis Borges (who included it in many of his short stories), and Aleister Crowley, with figures such as Hermann Hesse being more moderatedly influenced. Rene Guenon founded the gnostic review, Le Gnose in 1909 (before moving to a more "Perennialist" position). Gnostic Thelemite organizations, such as Ecclesia Gnostica Catholica and Ordo Templi Orientis, trace themselves to Crowley's thought.
The discovery and translation of the Nag Hammadi library after 1945 had a huge impact on Gnosticism since World War II. Thinkers who were heavily influenced by Gnosticism in this period include Hans Jonas, Philip K. Dick and Harold Bloom, with Albert Camus and Allen Ginsberg being more moderately influenced. A number of ecclesiastical bodies which think of themselves as Gnostic have been set up or re-founded since World War II as well, including the Society of Novus Spiritus, Ecclesia Gnostica, the Thomasine Church, the Apostolic Johannite Church, the Alexandrian Gnostic Church, the North American College of Gnostic Bishops. Celia Green has written on Gnostic Christianity in relation to her own philosophy.
Read more about this topic: Gnosticism
Famous quotes containing the words modern and/or times:
“And of the other things death is a new office building filled with modern furniture,
A wise thing, but which has no purpose for us.”
—John Ashbery (b. 1927)
“But this I know; the writer who possesses the creative gift owns something of which he is not always master—something that at times strangely wills and works for itself.... If the result be attractive, the World will praise you, who little deserve praise; if it be repulsive, the same World will blame you, who almost as little deserve blame.”
—Charlotte Brontë (1816–1855)