Story
The story begins in Princeton, New Jersey, 1954, with Albert Einstein. Einstein is living in regret of his discovery of mass-energy equivalence (E = mc²), believing it led to the construction of the atomic bomb.
He meets two children, Hikaru and Haruhi, who can see the past and future in their dreams. They tell him that ever since the atomic bombing of Hiroshima and Nagasaki, Yggdrasil, the tree of life, is dying.
However they discover that in the future there is a girl with special powers who saves the tree. Einstein then gives them drugs which slow their aging so they can meet this girl. He dies later the same day; April 18, 1955. He then becomes the story's disembodied narrator, following around the young boy Robin.
In Tokyo, 2005, Hikaru and Robin finally find the girl, Ruika. Ruika is pretending to be her young brother Masato, who died in an airplane crash, to keep her mother from grieving.
Read more about this topic: Global Garden
Famous quotes containing the word story:
“Well, I know you haven’t had much experience writing and none at all in pictures. But I’ve heard about you. It all sounded like you’re just the man I wanted for a story about the Navy. I don’t want a story just about ships and planes. I want a story about the officers.... I want this story from a pen dipped in salt water not dry martinis. Do you know what I mean?”
—Frank Fenton, William Wister Haines, co-scenarist, and John Ford. John Dodge (Ward Bond)
“Our ancestors were savages. The story of Romulus and Remus being suckled by a wolf is not a meaningless fable. The founders of every state which has risen to eminence have drawn their nourishment and vigor from a similar wild source. It was because the children of the Empire were not suckled by the wolf that they were conquered and displaced by the children of the northern forests who were.”
—Henry David Thoreau (1817–1862)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)