Glenn Gould - Arrangements and Compositions

Arrangements and Compositions

Main article: List of compositions by Glenn Gould

Gould was not only a composer, but also a prolific arranger of orchestral repertoire for piano. His arrangements include his recorded Wagner and Ravel transcriptions, as well as the operas of Richard Strauss and the symphonies of Schubert and Bruckner, which he played privately for pleasure.

As a teenager, Gould wrote chamber music and piano works in the style of the Second Viennese school of composition. His only significant work was the String Quartet, Op. 1, which he finished when he was in his 20s, and perhaps his cadenzas to Beethoven's Piano Concerto No. 1. Later works include the Lieberson Madrigal (SATB and piano), and So You Want to Write a Fugue? (SATB with piano or string quartet accompaniment). The majority of his work is published by Schott Music. The recording Glenn Gould: The Composer contains his original works.

The String Quartet Op. 1 (published in 1956 and recorded in 1960) had a mixed reception from critics. For example, the notices from the Christian Science Monitor and The Saturday Review were quite laudatory, while the response from the Montreal Star was less so. There is little critical commentary on Gould's compositional work for the simple reason that there are few compositions. He did not proceed beyond Opus 1. Gould left many compositions unfinished. He attributed his failure as a composer to his lack of a "personal voice". See List of compositions by Glenn Gould for a complete list of works.

Read more about this topic:  Glenn Gould

Famous quotes containing the word arrangements:

    Autonomy means women defining themselves and the values by which they will live, and beginning to think of institutional arrangements which will order their environment in line with their needs.... Autonomy means moving out from a world in which one is born to marginality, to a past without meaning, and a future determined by others—into a world in which one acts and chooses, aware of a meaningful past and free to shape one’s future.
    Gerda Lerner (b. 1920)