Plot
The first part of the film begins with a narrator called The Scientist (Bela Lugosi) making cryptic comments about humanity. The film proper opens with Inspector Warren finding the corpse of a male transvestite named Patrick/Patricia, who has committed suicide. Wanting to know more about cross-dressing, Warren seeks out Dr. Alton, who narrates for him the story of Glen/Glenda. However, at several points Alton appears to address the viewer rather than Inspector Warren, and the unclear role of the Scientist as narrator makes things even more confusing. Glen is shown studying women's clothes in a shop window. Dr. Alton points out that men's clothes are dull and restrictive, whereas women can adorn themselves with attractive clothing. Glen reads about sex change operations in a newspaper, then meets with Barbara, his girlfriend, who asks if Glen's secret problem is another woman. The film then cuts to the infamous shot of the Scientist shouting "Pull the string!" as bison stampede onscreen. It is not clear what this is meant to mean; perhaps that Glen should act as puppeteer, controlling his own life instead of letting others dictate it. Another transvestite friend of his, John, tells Glen how cross-dressing ended his marriage. A bizarre dream sequence, containing some BDSM vignettes full of flagellation and bondage, reminiscent of the fetish films of Irving Klaw, follows. Glen then decides to tell Barbara the truth. She offers her an angora sweater as a sign of acceptance.
Read more about this topic: Glen Or Glenda
Famous quotes containing the word plot:
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)