Later References To The Tune
The Fiddler's Companion says
The Latin title first appears in the Wemyss manuscript of 1644 and in the Balcarres manuscript of 1692
and then
The melody's popularity was long-lived, as attested by its appearance in many collections throughout the 18th century, including Wright's Aria di Camera (1730), Neal's Celebrated Irish Tunes (c. 1742—a revised date from the oft-given 1721 or 1726, this based on watermark research—see the appendix to the 2001 edition of O’Sullivan’s Carolan), Burk Thumoth's Twelve English and Irish Airs (c. 1745-50), Thompson's Hibernian Muse (c. 1786), Brysson's Curious Selection of Favourite Tunes (c. 1790, and Mulholland's Ancient Irish Airs (1810).
English and Irish titles first seem to have appeared in 'A Collection of Ancient Irish Airs', by John Mulholland, 2 vols. Belfast, 1810.
Seán Ó Riada is attributed with reviving the tune in the late 1960s. The Wolfetones also contributed to the tune's development by adding words of reconciliation at a time of violence in Northern Ireland during the The Troubles.
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Famous quotes containing the word tune:
“But ice-crunching and loud gum-chewing, together with drumming on tables, and whistling the same tune seventy times in succession, because they indicate an indifference on the part of the perpetrator to the rest of the world in general, are not only registered on the delicate surfaces of the brain but eat little holes in it until it finally collapses or blows up.”
—Robert Benchley (1889–1945)