Works and Influence
The major influences on Guami's sacred music style are from Willaert, his teacher at St. Mark's, and Cipriano de Rore, and later from Lassus; indeed the two composers may have been friends since they served together in Munich and evidently traveled together. In his secular music he was most progressive, using an unusual amount of chromaticism and modulation to distant keys, undoubtedly influenced by Nicola Vicentino.
Guami also wrote numerous instrumental canzonas; most likely he wrote organ music which has been lost (only one piece survives, in a collection by Girolamo Diruta). The canzonas are in the up-to-date Venetian style, antiphonal, ornamented, and using starkly different thematic material in different sections; however they contain an unusual level of motivic development for pre-Baroque music.
Guami was also important as a teacher, providing instruction to composers such as Adriano Banchieri, one of the key figures in the transition to the Baroque style. Vincenzo Galilei, the progressive music theorist, lutenist, and father of the astronomer, also wrote about Guami's music, talent and fame.
Read more about this topic: Gioseffo Guami
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