Gilded Woodcarving in Portugal - Comparison

Comparison

Gilded woodcarving is a less expensive and more flamboyant artform than other technically more demanding types of decoration, such as sculpture or painting, although tile is also inexpensive. The amount of gold required is relatively small. It does not require the extensive training of a sculptor or painter. The forms are copied and adapted from decorative architecture and inspiration taken from books. During the seventeenth century a typically Portuguese vocabulary developed. After being transported to the empire, it adapted to local traditions and artistic capacities, as is visible in Brazil or in India – mainly in Goa.

Artists take commissions from regional orders to guarantee the activity of their workshop, sometimes making several related works in a specific geographical area. Examples exist in colour, white or natural wood, but without the visual impact of the gilded carvings.

Read more about this topic:  Gilded Woodcarving In Portugal

Famous quotes containing the word comparison:

    “The difference between human vision and the image perceived by the faceted eye of an insect may be compared with the difference between a half-tone block made with the very finest screen and the corresponding picture as represented by the very coarse screening used in common newspaper pictorial reproduction. The same comparison holds good between the way Gogol saw things and the way average readers and average writers see things.”
    —Vladimir Nabokov (1899–1977)

    “Intolerance respecting other people’s religion is toleration itself in comparison with intolerance respecting other people’s art.”
    —Wallace Stevens (1879–1955)

    “Most parents aren’t even aware of how often they compare their children. . . . Comparisons carry the suggestion that specific conditions exist for parental love and acceptance. Thus, even when one child comes out on top in a comparison she is left feeling uneasy about the tenuousness of her position and the possibility of faring less well in the next comparison.”
    —Marianne E. Neifert (20th century)