Gilbert Cannan - Works

Works

  • Jean-Christophe by Romain Rolland (1910–1913) translator
  • Peter Homunculus (1909) first novel
  • Heinrich Heine's Memoirs, edited by Gustav Karpeles (1910) translator
  • Devious Ways (1910) novel
  • Little Brother (1912) novel
  • The Joy of the Theatre (1913) essays
  • Four Plays (1913)
  • Round The Corner (1913) novel
  • Love (1914)
  • Old Mole (1914) novel
  • Old Mole's Novel (1914) novel
  • Satire (1914)
  • Young Earnest – The Romance Of A Bad Start In Life (1915)
  • Samuel Butler: A Critical Study (1915)
  • Windmills: A Book of Fables (1915) fantasy
  • Three Pretty Men (1916) novel
  • Mendel: a story of youth (1916) novel, closely based on Mark Gertler's early life
  • Everybody's Husband (1917) play, performed at the Birmingham Repertory Theatre with incidental music by Maurice Besly
  • The House with the Mezzanine, and Other Stories by Anton Chekhov (1917) translator with S. S. Koteliansky
  • The Stucco House (1917) novel
  • Freedom (1917)
  • The Anatomy of Society (1919)
  • Time and Eternity (1919)
  • Pink roses (1919)
  • My Life (1920)
  • Pugs and Peacocks (1921)
  • Sembal (1922)
  • Annette and Bennety (1922)
  • Noel – An Epic in Seven Cantos (1922)
  • Seven Plays (1923)
  • House of Prophecy (1924)
  • Diary of A.O. Barnabooth by Valery Larbaud, translator

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Famous quotes containing the word works:

    His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.
    Henry David Thoreau (1817–1862)

    The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.
    —For the State of New Jersey, U.S. public relief program (1935-1943)

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
    Thomas Mann (1875–1955)