Features
According to the service manual, the G-101 had a single manual of five octaves (61 keys), which was divided into three sections:
- A bottom octave (13 keys, from "C1" to "C2") provided fixed bass, using reverse-colored white-on-black keys similar to those on the Vox Continental's entire keyboard to designate the area.
- A second octave (11 keys, from "C#2" to "B2"), could be configured either for extended bass or 'treble' (standard organ) use, using white-on-grey keys to designate.
- Three octaves (37 keys, from "C3" to "C6") for the treble keyboard, using standard black-on-white keys.
The instrument offered the following controls across the cabinet top, listed from left to right:
- A rotary knob to control the volume of the bass keyboard
- A bank of five tabs (color-coded) for voicings of the bass keys:
-
- (Green) String Bass, Sax Bass, Fuzz Bass
- (Gray) Bass Normal/Percuss., Bass Sustain Off/On
- A rotary switch to select either 'extended bass' or 'treble' (normal) functionality for the grey octave
- A bank of 12 tabs, (color-coded) for voicings on the treble keys:
-
- (Red) Glide Normal/Trumpet Wow-Wow
- (Yellow) Trombone 16'(Piano S-St-P), Clarinet 16's
- (Blue) String 8'(Harpcd S-St-P)
- (Yellow) Trumpet 8', Kinura 8'
- (White) Flute 16', Flute 8', Piccolo 4', Nazard 2-2/3', Mixture
- (Red) Brilliance Normal/Full
- A bank of eight tabs (color-coded) for signal processing on the treble keys:
-
- (Green) Vibrato Fast/Slow, Vibrato Light/Heavy, Vibrato Off/On
- (Red) Sustain S Med, Sustain SS Long, Staccato St Off/On
- (Gray) Reverb Off/On, Percussion Off/On
- A rotary knob to control the Repeat Off/On/Rate
- The instrument's power switch with built-in pilot lamp
Read more about this topic: Gibson G-101
Famous quotes containing the word features:
“Each reader discovers for himself that, with respect to the simpler features of nature, succeeding poets have done little else than copy his similes.”
—Henry David Thoreau (1817–1862)
“These, then, will be some of the features of democracy ... it will be, in all likelihood, an agreeable, lawless, particolored commonwealth, dealing with all alike on a footing of equality, whether they be really equal or not.”
—Plato (c. 427–347 B.C.)
“All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!”
—Herman Melville (1819–1891)