Gibson Brothers - Career

Career

The three brothers, Chris (born 20 June 1954) - (lead vocals, percussion), Patrick (vocals, drums) and Alex (vocals, keyboards) were born on Martinique in the West Indies. They recorded their first single "Come To America" in Paris in 1976, and both it and its follow-up "Non Stop Dance" made the charts in Europe, where they toured successfully. The following year they released "Heaven", which was picked up by TK Records in the U.S.

In 1978 they recorded "Cuba". The mix of disco beats, Latin percussion, soulful vocals and a catchy tune propelled the song to #1 in several countries, and earned them four gold records worldwide. In the UK it made #41 on its initial release, and #12 when reissued in 1980. Like their other hits, it was written and produced by Daniel Vangarde and the Belgian producer Jean Kluger. The Gibson Brothers had three further big hits in 1979 and 1980, "Ooh! What A Life", "Que Sera Mi Vida" (a Nelly Byl song which sold over 5 million copies worldwide), and "Mariana". They have continued to record and tour worldwide.

Read more about this topic:  Gibson Brothers

Famous quotes containing the word career:

    “A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
    —Ishmael Reed (b. 1938)

    “In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
    —Barbara Dale (b. 1940)

    “What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
    —Arlie Hochschild (20th century)