Composition
"Get Your Number" is a mid-tempo song lasting three minutes and fifteen seconds, while drawing influence from pop and R&B music genres. Written by Carey, Jermaine Dupri and Johntá Austin, and produced by the former two and LRoc, the song samples the hook from British band Imagination's "Just an Illusion" (1982), and derives its production from "‘80s-esque synthesizers" and several computerized musical instruments. Due to its sampling, additional writers such as John Phillips, Steve Jolley, Tony Swain and Ashley Ingram, are credited as songwriters. On "Get Your Number", Dupri performs several ad-libs and sings part of the chorus, earning him a place as a featured artist on the track. According to the sheet music published at Musicnotes.com by Alfred Music Publishing, the song is set in common time with a moderate tempo of 126 beats per minute. The song is composed in the key of F minor, with Carey's vocal range spanning from the low-note of B3 to the high-note of A5. Aside from Dupri's verses, Carey's longtime background singer Trey Lorenz makes a notable impression on the song, and earned credits for providing background vocals. Lyrically, the song is written in a female perspective, where they ask the man for their number at a club. In an interview with MTV News, Carey jokingly addressed the lyrics, claiming Dupri "really wanted it to be coming from the girl, like 'can I get your number' to the guy. But in all honesty that would never be me!" Aside from her signature vocals, Carey adopts a breathy rap for parts of the song, which read "I got a big bad house / With a sick hot tub / We can watch a flat screen / While the bubbles filling up." According to Jozen Cummings from PopMatters, the lyrics and Carey's vocal switch make the song "fun and comedic".
Read more about this topic: Get Your Number
Famous quotes containing the word composition:
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (18121870)
“The composition of a tragedy requires testicles.”
—Voltaire [François Marie Arouet] (16941778)
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)