Plays At Gesher Theater
- “Rosencrantz and Guildenstern Are Dead”
- “The Dreifus Trial”
- “Molière”
- “The Idiot”
- “Adam Resurrected”
- “Lower Depths”
- “Tartuffe”
- “Village”
- “City – Odessa Stories”
- “Three Sisters”
- “Don Juan”
- “Eating”*
- “Intrigue and Love”
- “The River”
- “Sea”
- “Moscow – Petushky”
- “On Borrowed Time”
- “The Devil in Moscow”
- “Miss Julie”
- “Midsummer Night’s Dream”
- “The Contrabass”
- “The Slave”
- “The Threepenny Opera”
- “Love and Human Remains”
- “Shosha”
- “After Play”
- “Figaro’s Marriage”
- “The Cripple Boy From Ineshman”
- “Medea”
- “Variations for Theatre and Orchestra”
- “Momik”
- “Pillowman”
- “Hezi”
- “Design for Living”
- “Cherry Orchard”
- “Late Love”
- “Munchausen”
- “The Elder Son”
- “This is How it Happened”
- “Yakish and Poupche”
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“Goodbye, boys; I’m under arrest. I may have to go to jail. I may not see you for a long time. Keep up the fight! Don’t surrender! Pay no attention to the injunction machine at Parkersburg. The Federal judge is a scab anyhow. While you starve he plays golf. While you serve humanity, he serves injunctions for the money powers.”
—Mother Jones (1830–1930)
“It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.”
—Bertolt Brecht (1898–1956)