Other Prominent Lines
The phrase "wilderness of mirrors" from the poem has been alluded to by many other writers and artists. It has been used as the titles of plays by Van Badham and Charles Evered, of novels by Max Frisch, and of albums by bands such as Waysted. Rock singer Fish entitled his first solo album Vigil in a Wilderness of Mirrors.
Some commentators believe that James Jesus Angleton took the phrase from this poem when he described the confusion and strange loops of espionage and counter-intelligence, such as the Double Cross System, as a "wilderness of mirrors". It thence entered and has since become commonplace in the vocabulary of writers of spy novels or of popular historical writing about espionage. It was the title of an episode of the television series JAG where the protagonist is subjected to disinformation.
Another prominent line in the poem, "In depraved May, dogwood and chestnut, flowering judas/To be eaten, to be divided, to be drunk," is the origin of the title of Katherine Anne Porter's first collection of short stories, Flowering Judas and Other Stories (1930).
Read more about this topic: Gerontion
Famous quotes containing the words prominent and/or lines:
“The soldier here, as everywhere in Canada, appeared to be put forward, and by his best foot. They were in the proportion of the soldiers to the laborers in an African ant-hill.... On every prominent ledge you could see England’s hands holding the Canadas, and I judged from the redness of her knuckles that she would soon have to let go.”
—Henry David Thoreau (1817–1862)
“It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.”
—Oswald Spengler (1880–1936)