Writing
The earliest evidence of Germanic languages comes from names recorded in the 1st century by Tacitus (especially from his work Germania), but the earliest Germanic writing occurs in a single instance in the 2nd century BC on the Negau helmet. From roughly the 2nd century AD, certain speakers of early Germanic varieties developed the Elder Futhark, an early form of the Runic alphabet. Early runic inscriptions also are largely limited to personal names, and difficult to interpret. The Gothic language was written in the Gothic alphabet developed by Bishop Ulfilas for his translation of the Bible in the 4th century. Later, Christian priests and monks who spoke and read Latin in addition to their native Germanic varieties began writing the Germanic languages with slightly modified Latin letters. However, throughout the Viking Age, Runic alphabets remained in common use in Scandinavia.
In addition to the standard Latin script, many Germanic languages use a variety of accent marks and extra letters, including umlauts, the ß (Eszett), IJ, Ø, Æ, Å, Ä, Ü, Ö, Ð, Ȝ, and the Latinized runes Þ and Ƿ (with its Latin counterpart W). In print, German used to be prevalently set in blackletter typefaces (e.g. fraktur or schwabacher) until the 1940s, whereas Kurrent and since the early 20th century Sütterlin was used for German handwriting.
Read more about this topic: Germanic Languages
Famous quotes containing the word writing:
“There is a difference between dramatizing your sensibility and your personality. The literary works which we think of as classics did the former. Much modern writing does the latter, and so has an affinity with, say, night-club acts in all their shoddy immediacy.”
—Paul Horgan (b. 1904)
“What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (1889–1963)
“The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.”
—James Fenton (b. 1949)