Georgian Dublin - Dublin's Development

Dublin's Development

Dublin was for much of its existence a medieval city, marked by the existence of a particular style of buildings, built on narrow winding medieval streets. The first major changes to this pattern occurred during the reign of King Charles II when the then Lord Lieutenant of Ireland, the Earl of Ormonde (later made Duke of Ormonde) issued an instruction which was to have dramatic repercussions for the city as it exists today. Though the city over the century had grown around the River Liffey, its buildings as in many other mediƦval centres backed onto the river, often allowing for the dumping of household waste directly into the river, it being a form of collective sewer. As Dublin's quays underwent development, Ormonde insisted that the frontages of the houses, not their rears, should face the quay sides, with a street to run along each quay. By this one development, Ormond changed the face of the city. No longer would the river be a sewer hidden between buildings. Instead it became a central feature of the city, with its quays lined by large three and four storey houses and public buildings, such as the Four Courts, the old Custom House and, later and grander, The Custom House designed, as was the Four Courts, by master architect James Gandon. For his initiative, Ormonde's name is now given to one of the city quays.

It was however only one of a number of crucial developments. As the city grew in size, stature, population and wealth, two changes were needed. (1) The existing narrow-streeted mediƦval city required major redevelopment, and (2) major new development of residential areas was required.

Read more about this topic:  Georgian Dublin

Famous quotes containing the word development:

    On fields all drenched with blood he made his record in war, abstained from lawless violence when left on the plantation, and received his freedom in peace with moderation. But he holds in this Republic the position of an alien race among a people impatient of a rival. And in the eyes of some it seems that no valor redeems him, no social advancement nor individual development wipes off the ban which clings to him.
    Frances Ellen Watkins Harper (1825–1911)