George Moore (novelist) - Works

Works

  • Flowers of Passion London: Provost & Company, 1878
  • Martin Luther: A Tragedy in Five Acts London: Remington & Company, 1879
  • Pagan Poems London: Newman & Company, 1881
  • A Modern Lover London: Tinsley Brothers, 1883
  • A Mummer's Wife London: Vizetelly & Company, 1885
  • Literature at Nurse London: Vizetelly & Company, 1885
  • A Drama in Muslin London: Vizetelly & Company, 1886
  • Confessions of a Young Man Swan Sonnenshein Lowrey & Company, 1886
  • A Mere Accident London: Vizetelly & Company, 1887
  • Parnell and His Island London; Swan Sonnenshein Lowrey & Company, 1887
  • Spring Days London: Vizetelly & Company, 1888
  • Mike Fletcher London: Ward & Downey, 1889
  • Impressions and Opinions London; David Nutt, 1891
  • Vain Fortune London: Henry & Company, 1891
  • Modern Painting London: Walter Scott, 1893
  • The Strike at Arlingford London: Walter Scott, 1893
  • Esther Waters London: Walter Scott, 1894
  • Celibates London: Walter Scott, 1895
  • Evelyn Innes London: T. Fisher Unwin, 1898
  • The Bending of the Bough London: T. Fisher Unwin, 1900
  • Sister Theresa London: T. Fisher Unwin, 1901
  • The Untilled Field London: T. Fisher Unwin, 1903
  • The Lake London: William Heinemann, 1905
  • Memoirs of My Dead Life London: William Heinemann, 1906
  • The Apostle: A Drama in Three Acts Dublin: Maunsel & Company, 1911
  • Hail and Farewell London: William Heinemann, 1911, 1912, 1914
  • The Apostle: A Drama in Three Acts Dublin: Maunsel & Company, 1911
  • Elizabeth Cooper Dublin: Maunsel & Company, 1913
  • Muslin London: William Heinemann, 1915
  • The Brook Kerith: A Syrian Story London: T. Warner Laurie, 1916
  • Lewis Seymour and Some Women New York: Brentano's, 1917
  • A Story-Teller's Holiday London: Cumann Sean-eolais na hEireann (privately printed), 1918. This work contains the story later re-published in the collection Celibate Lives, 1927, as the short story "The Singular Life of Albert Nobbs" which was made into a 2011 movie, Albert Nobbs, starring Glenn Close.
  • Avowals London: Cumann Sean-eolais na hEireann (privately printed), 1919
  • The Coming of Gabrielle London: Cumann Sean-eolais na hEireann (privately printed), 1920
  • Heloise and Abelard London: Cumann Sean-eolais na hEireann (privately printed), 1921
  • In Single Strictness London: William Heinemann, 1922
  • Conversations in Ebury Street London: William Heinemann, 1924
  • Pure Poetry: An Anthology London: Nonesuch Press, 1924
  • The Pastoral Loves of Daphnis and Chloe London: William Heinemann, 1924
  • Daphnis and Chloe, Peronnik the Fool New York: Boni & Liveright, 1924
  • Ulick and Soracha London: Nonesuch Press, 1926
  • Celibate Lives London: William Heinemann, 1927 (This collection and his previous work A Story-Teller's Holiday both include the short story "The Singular Life of Albert Nobbs" which was made into a movie, with Glenn Close.)
  • The Making of an Immortal New York: Bowling Green Press, 1927
  • The Passing of the Essenes: A Drama in Three Acts London: William Heinemann, 1930
  • Aphrodite in Aulis New York: Fountain Press, 1930
  • A Communication to My Friends London: Nonesuch Press, 1933
  • Diarmuid and Grania: A Play in Three Acts Co-written with W.B. Yeats, Edited by Anthony Farrow, Chicago: De Paul, 1974

Letters

  • Moore Versus Harris Detroit: privately printed, 1921
  • Letters to Dujardin New York: Crosby Gaige, 1929
  • Letters of George Moore Bournemouth: Sydenham, 1942
  • Letters to Lady Cunard Ed. Rupert Hart-Davis. London: Rupert Hart-Davis, 1957
  • George Moore in Transition Ed. Helmut E. Gerber, Detroit: Wayne State University Press, 1968

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Famous quotes containing the word works:

    The hippopotamus’s day
    Is passed in sleep; at night he hunts;
    God works in a mysterious way—
    The Church can sleep and feed at once.
    —T.S. (Thomas Stearns)

    Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.
    Henry David Thoreau (1817–1862)