Television
In 1976, Fenton wrote his first television score, continuing his collaboration with Peter Gill, composing for Gill's production of Hitting Town written by Stephen Poliakoff.
By the late 1970s, Fenton was working regularly in television, becoming a popular choice for dozens of television productions, including Shoestring, a BBC police drama which ran for 21 episodes in 1979-1980.
He composed the music for all six of the Six Plays by Alan Bennett which were broadcast during 1978 and 1979. Their collaboration continued with the TV series Objects of Affection in 1982. A year later he composed the score of Bennett's TV film An Englishman Abroad (1983) which was directed by John Schlesinger. Fenton also composed for all of the episodes of Bennett's highly acclaimed Talking Heads series in 1987 and, a decade later, Talking Heads 2 in 1998.
Fenton also collaborated regularly with the director Stephen Frears, composing for his television productions of Bloody Kids (1979), Going Gently (1981), Saigon: Year of the Cat (1983), and Walter and June (1983).
By the mid 1980s, Fenton was composing for big budget TV series including the multi BAFTA winning The Jewel in the Crown (1984) and The Monocled Mutineer (1986).
Perhaps the TV series with which Fenton reached the widest audience was Bergerac which ran for ten years between 1981 and 1991, and for which Fenton composed the much-loved theme tune. He received his first major award for this, a BAFTA in 1982.
Read more about this topic: George Fenton
Famous quotes containing the word television:
“Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.”
—Ellen Galinsky (20th century)
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)