George Brent - Career

Career

He came to the United States in 1925, touring with a production of Abie's Irish Rose. During the next five years, he acted in stock companies in Colorado, Rhode Island, Florida, and Massachusetts. In 1927, he appeared on Broadway in Love, Honor, and Betray alongside Clark Gable.

He eventually moved to Hollywood and made his first film, Under Suspicion, in 1930. Over the next two years he appeared in a number of minor films produced by Universal Studios and Fox, before being signed to contract by Warner Brothers in 1932. He would remain at Warner Brothers for the next twenty years, carving out a successful career as a top-flight leading man during the late 1930s and 1940s.

Highly regarded by Bette Davis, he became her most frequent male co-star, appearing with her in thirteen films, including Front Page Woman (1935), Special Agent (1935), The Golden Arrow (1936), Jezebel (1938), The Old Maid (1939), Dark Victory (1939) and The Great Lie (1941). Brent also played opposite Ruby Keeler in 42nd Street (1933), Greta Garbo in The Painted Veil (1934), Ginger Rogers in In Person (1935), Madeleine Carroll in The Case Against Mrs. Ames (1936), Jean Arthur in More Than a Secretary (1936), Myrna Loy in Stamboul Quest (1934) and The Rains Came (1939), Merle Oberon in 'Til We Meet Again (1940), Ann Sheridan in Honeymoon for Three (1941), Joan Fontaine in The Affairs of Susan (1945), Barbara Stanwyck in The Purchase Price (1932), Baby Face (1933),The Gay Sisters (1942) and My Reputation (1946), Claudette Colbert in Tomorrow Is Forever (1946), Dorothy McGuire in The Spiral Staircase (1946), Lucille Ball in Lover Come Back (1946) and Yvonne De Carlo in Slave Girl (1947).

Brent drifted into "B" pictures from the late 1940s and retired from film in 1953. He continued to appear on television until 1960, starring in the series Wire Service in 1956. In 1978, he made one last film, the made-for-television production Born Again.

George Brent earned two stars on the Hollywood Walk of Fame, the first, at 1709 Vine St., for his film contributions, the second star, at 1614 Vine St., for his work in television.

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