Geography of Ivory Coast - Terrain and Topography

Terrain and Topography

Ivory Coast's terrain can generally be described as a large plateau rising gradually from sea level in the south to almost 500 m elevation in the north. The nation's natural resources have made it into a comparatively prosperous nation in the African economy. The southeastern region of Ivory Coast is marked by coastal inland lagoons that starts at the Ghanaian border and stretch 300 km (186 mi) along the eastern half of the coast. The southern region, especially the southwest, is covered with dense tropical moist forest. The Eastern Guinean forests extend from the Sassandra River across the south-central and southeast portion of Ivory Coast and east into Ghana, while the Western Guinean lowland forests extend west from the Sassandra River into Liberia and southeastern Guinea. The mountains of Dix-Huit Montagnes region, in the west of the country near the border with Guinea and Liberia, are home to the Guinean montane forests.

The Guinean forest-savanna mosaic belt extends across the middle of the country from east to west, and is the transition zone between the coastal forests and the interior savannas. The forest-savanna mosaic interlaces forest, savanna and grassland habitats. Northern Ivory Coast is part of the West Sudanian Savanna ecoregion of the Tropical and subtropical grasslands, savannas, and shrublands biome. It is a zone of lateritic or sandy soils, with vegetation decreasing from south to north.

The terrain is mostly flat to undulating plains, with mountains in the northwest. The lowest elevation in Ivory Coast is at sea level on the coasts. The highest elevation is Mount Nimba, at 1,752 metres (5,748 ft) in the far west of the country along the border with Guinea and Liberia.

Read more about this topic:  Geography Of Ivory Coast

Famous quotes containing the word topography:

    That the mere matter of a poem, for instance—its subject, its given incidents or situation; that the mere matter of a picture—the actual circumstances of an event, the actual topography of a landscape—should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.
    Walter Pater (1839–1894)