Generative Grammar - Music

Music

Generative grammar has been used to a limited extent in music theory and analysis since the 1980s. The most well-known approaches were developed by Mark Steedman as well as Fred Lerdahl and Ray Jackendoff, who formalised and extended ideas from Schenkerian analysis. More recently, such early generative approaches to music were further developed and extended by several scholars.

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Famous quotes containing the word music:

    I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.
    Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)

    So gladly, from the songs of modern speech
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    Shrill wind beyond the close of heavy flowers,
    And through the music of the languid hours,
    They hear like ocean on a western beach
    The surge and thunder of the Odyssey.
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    Thy remembrance, and repentance, and deep musings are not free
    From the music of two voices and the light of one sweet smile.
    Percy Bysshe Shelley (1792–1822)