Six commentaries by Tsongkhapa are the prime source for the studies of the Gelug tradition, as follows:
- The Great Exposition of the Stages of the Path (Lam-rim chen-mo)
- The Great Exposition of Tantras (sNgag-rim chenmo)
- The Essence of Eloquence on the Interpretive and Definitive Teachings (Drnng-nges legs-bshad snying-po)
- The Praise of Relativity (rTen-'brel bstodpa)
- The Clear Exposition of the Five Stages of Guhyasamāja (gSang-'dus rim-lnga gsal-sgron) and
- The Golden Rosary (gSer-phreng)
Each Gelug monastery uses its own set of commentarial texts by different authors, known as monastic manuals (Tib. yigcha). The teachings of Tsongkhapa are seen as a protection against developing misconceptions in understanding and practice of mahāyāna and vajrayāna Buddhism. It is said that his true followers take The Great Exposition of the Stages of the Path as their heart teaching.
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Famous quotes containing the word texts:
“The bases for historical knowledge are not empirical facts but written texts, even if these texts masquerade in the guise of wars or revolutions.”
—Paul Deman (19191983)
“I know that I will always be expected to have extra insight into black textsespecially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
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“A book is not an autonomous entity: it is a relation, an axis of innumerable relations. One literature differs from another, be it earlier or later, not because of the texts but because of the way they are read: if I could read any page from the present timethis one, for instanceas it will be read in the year 2000, I would know what the literature of the year 2000 would be like.”
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