Fame
In 1983 they joined the team on the successful national children's programme Wombat, along with the puppet Agro. They enjoyed their roles as reporters for the next seven years. The program also included an on-going mock soap opera segment.
Another advertising appearance was in the mid-1980s, in a series of futuristic commercials for Coca-Cola, featuring Max Headroom.
In 1990 they joined the cast of the soap opera Neighbours as Caroline (played by Gillian) and Christina (played by Gayle) Alessi. Gillian and Gayle left the show at different stages during 1992.
Following the success of former Neighbours actors Kylie Minogue and Jason Donovan as recording artists, the Blakeneys went to England in 1991 to record with Stock Aitken Waterman originally as 'The Twins'. The resulting single, "All Mixed Up", became a modest club hit that year, and peaked at #74 in Australia.
After parting with Stock Aitken Waterman, the Blakeneys made a brief return to Neighbours, eventually leaving the show in 1992. In 1993/1994 they released two singles in the United Kingdom as 'Gayle & Gillian', "Mad If Ya Don't" (number 75 in the UK Singles Chart in 1993) and a cover version of Prince's "I Wanna Be Your Lover" re-titled "Wanna Be Your Lover" (number 62 in 1994).
Afterwards the two made a brief return to television, this time as co-hosts on the UK game show Take Your Pick. While working in the UK, they also acted on stage.
In 1994 the sisters moved to the United States (where they still reside today) to pursue acting roles, landing guest spots on various film and TV projects, such as playing ballerinas in Silk Stalkings.
Read more about this topic: Gayle & Gillian Blakeney
Famous quotes containing the word fame:
“Certainly fame is like a river, that beareth up things light and swoln, and drowns things weighty and solid.”
—Francis Bacon (1561–1626)
“To want fame is to prefer dying scorned than forgotten.”
—E.M. Cioran (b. 1911)
“It is remarkable that the dead lie everywhere under stones.... Why should the monument be so much more enduring than the fame which it is designed to perpetuate,—a stone to a bone? “Here lies,”M”Here lies”;Mwhy do they not sometimes write, There rises? Is it a monument to the body only that is intended?”
—Henry David Thoreau (1817–1862)