Production
- Producers: Gary Katz
- Executive producers: Paul Bishow, Roger Nichols
- Executive engineer: Roger Nichols
- Assistant engineers: John "Doc" Daugherty, Gerry Gabinelli, Craig Goetsch, Tom Greto, Barbara Isaak, Georgia Offrell, John Potoker, Linda Randazzo, Marti Robertson, Carla Bandini
- Production coordination: Jeff Fura, Margaret Goldfarb, Shannon Steckloff
- Mixing: Elliot Scheiner
- Mix down: Elliot Scheiner
- Coordination: Michael Etchart
- Sequencing: Roger Nichols, Wendel
- Tracking: Elliot Scheiner, Bill Schnee
- Mastering: Bob Ludwig
- Overdubs: Jerry Garszva, Roger Nichols
- Surround mix: Elliot Scheiner
- Rhythm arrangements: Paul Griffin, Don Grolnick, Rob Mounsey, Steely Dan
- Horn arrangements: Rob Mounsey, Tom Scott
- Piano technician: Don Farrar
- Special effects: Roger Nichols, Wendel
- Consultant: Daniel Levitin
- Art direction: Vartan, Suzanne Walsh
- Design: Michael Diehl, Suzanne Walsh
- Design assistant: John Tom Cohoe
- Photography: Rene Burri
- Photo research: Ryan Null
- Liner notes: Walter Becker, Donald Fagen, Frank Kafka
- Liner note translation: Victor Di Suvero
Read more about this topic: Gaucho (album)
Famous quotes containing the word production:
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)