Works
The works of Gaston d'Illiers, small bronze horses, are fine and elegant works of art. They are particularly appreciated by horse lovers because of their precision and fidelity to nature.
During his life, Gaston d'Illiers created around 200 statues. They are all of small size, less than half a meter in each of the 3 dimensions. He modelled them in wax or plaster. The models were then molded to produce a limited number of statues in bronze. Most of the models have been damaged during World War II. The manufacturing of the bronze statues is still going on with the remaining models, but on an extremely limited scale. The existing bronze statues are kept by the owners, who seldom sell them. The appearance of a Gaston d'Illiers statue in a sale or a shop is therefore a rare event.
The works of Gaston d'Illiers show all types of horse including riding horses, driving horses, military horses, and draft horses. Many breeds are represented: Selle français, Anglo-Arabian, Thoroughbred, Cob, Boulonnais, Percheron.
When persons are present (rider, driver, groom), they are of little importance whereas the horse remains the centre of attention.
Many works are actually portraits of real horses, which accounts for their realism and accuracy. Some are winners of jumping: Idylle, Bulletin rose, Rosette XIV... Others are his own horses or horses belonging to acquaintances : Violette, Jack, Colibri, Esmeralda, Miss, Prince, Dolly, Sydney, sous-off, Lady Hareford, la ruade or poney Coco ruant, cheval aux champs or Coquet au trot, cheval sans terrasse or Sweetheart...
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Famous quotes containing the word works:
“For thou hast made him a little lower than the angels, and hast
crowned him with glory and honor.
Thou madest him to have dominion over the works of thy hands;”
—Bible: Hebrew Psalm VIII (l. VIII, 5–6)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)