Style
The Jakarta Post writes that Nugroho's films emphasize esthetics, but contain sociopolitical messages. Among the issues he has discussed in his films are multiculturalism, politics, intercultural communication, and his vision for a "New Indonesia". However, he has faced criticism that his films are too difficult for the general public to understand; Seno Gumira Ajidarma credits this to Nugroho's narrative style, which comes across as strange to Indonesian viewers.
Joko Anwar, writing for the The Jakarta Post, notes that dialogue written by Nugroho tends to lack believability. Sylviana Hamdani of The Jakarta Globe describes his dialogue as poetic. Nugroho also mixes historical footage with staged scenes in several of his movies, including Surat Untuk Bidadari and Aku Ingin Menciummu Sekali Saja.
Read more about this topic: Garin Nugroho
Famous quotes containing the word style:
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)