Development
Series creator Weisman, a former English teacher, has often cited his goal of ideally incorporating every myth and legend into the series eventually. However, although Weisman created Gargoyles, the series' first season was almost entirely written by husband-and-wife team Michael Reaves and Brynne Chandler Reaves. They wrote 12 of the 13 episodes, with the one remaining episode being written by Steve Perry. Weisman himself did not have any writing credits on the show until the third season—a season which, ironically, Weisman has since disowned.
The second season consisted of 52 episodes, and featured a much larger writing staff, including Reaves, Chandler Reaves and Perry, as well as newcomers Lydia Marano, Cary Bates, Gary Sperling, Adam Gilad, Diane Duane and Peter Morwood, amongst others. For the third season (consisting of 13 episodes), most of the writing staff was new to the show, although returning writers included Marano, Gilad and Bates.
Many Shakespearean characters and stories found their way into the show's storylines, particularly Macbeth and A Midsummer Night's Dream. The series was also influenced by medieval Scottish history. Weisman also cited the influences of Disney's Adventures of the Gummi Bears and Hill Street Blues on the series. The latter in particular inspired the ensemble format of the series and the 30-second "Previously, on Gargoyles…" recap found at the beginning of later episodes. The former was an influence on the original comedy development of the show, which was subsequently made darker and more serious before production. Some aspects of the series Bonkers, which Weisman helped develop, also influenced the show to some degree. Most noticeably, the relationship of toon cop Bonkers and his human partner Miranda Wright was used as a template for the relationship of gargoyle Goliath and Elisa Maza, as was the then-recent movie Beauty and the Beast.
New York artist Joe Tomasini brought a suit against Disney, claiming that his copyrighted screen play and character designs had been copied during the development and production of Gargoyles. The case was ultimately thrown out, after it was proven that Disney did not have access to Joe Tomasini's creations.
Read more about this topic: Gargoyles (TV series)
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