Methods
A wide range of design methods have been used by garden designers, depending partly on the historical period in which they worked and partly on the professional discipline with which they have the closest relationship. One can, for example, speak of an "architect's garden", "artist's garden" or a "plantsman's garden". Treating the subject historically, one can say that ancient gardens were likely to have been "drawn" directly on the ground, that Renaissance gardens were drawn on paper and that modern gardens are drawn on a computer. The design process always has an influence on the design product.
There tends to be a distinction between those designers who start with the plant palette and its needs, called garden design; and those designers who begin with consideration of the space and place-making to create architectural spaces and circulation routes with plants and other elements, called landscape design. Many famous gardens which contain many interesting plants can be incompletely planned as a whole and integrated composition. Also, many gardens which are well planned in overall design can lack the interests from planting detail. Some keen gardeners who are very knowledgeable about plants can be resistant to conceptualizing design. Some very competent designers and landscape architects have a meager amount of diverse botanical and horticultural knowledge and experience. A competent and talented garden designer can synthesize both needs to design sand create beautiful and sustainable landscapes and gardens.
Read more about this topic: Garden Designer
Famous quotes containing the word methods:
“The comparison between Coleridge and Johnson is obvious in so far as each held sway chiefly by the power of his tongue. The difference between their methods is so marked that it is tempting, but also unnecessary, to judge one to be inferior to the other. Johnson was robust, combative, and concrete; Coleridge was the opposite. The contrast was perhaps in his mind when he said of Johnson: “his bow-wow manner must have had a good deal to do with the effect produced.””
—Virginia Woolf (1882–1941)
“The philosopher is in advance of his age even in the outward form of his life. He is not fed, sheltered, clothed, warmed, like his contemporaries. How can a man be a philosopher and not maintain his vital heat by better methods than other men?”
—Henry David Thoreau (1817–1862)
“A writer who writes, “I am alone” ... can be considered rather comical. It is comical for a man to recognize his solitude by addressing a reader and by using methods that prevent the individual from being alone. The word alone is just as general as the word bread. To pronounce it is to summon to oneself the presence of everything the word excludes.”
—Maurice Blanchot (b. 1907)