In Popular Culture
- 1934: "Wasn't That a Mighty Storm" is an American folk song concerning the 1900 Galveston hurricane that originated as a spiritual and was revived and popularized by Eric Von Schmidt and Tom Rush in the 1960s.
- 1935: Film director King Vidor was born in Galveston and survived the great Galveston Hurricane of 1900. Based on that experience, he published a fictionalized account of that cyclone, titled "Southern Storm", for the May 1935 issue of Esquire magazine. Erik Larson excerpts a passage from that article in his 2005 book, Isaac's Storm:
- I remember now that it seemed as if we were in a bowl looking up toward the level of the sea. As we stood there in the sandy street, my mother and I, I wanted to take my mother's hand and hurry her away. I felt as if the sea was going to break over the edge of the bowl and come puring down upon us.
- 1946: Meteorologist Joseph L. Cline, who with his brother Isaac Cline played a pivotal role in the hurricane, shares his account of the storm in an autobiograpy titled When the Heavens Frowned.
- 1999: In Isaac's Storm, Erik Larson describes the storm and the pivotal roles played by Galveston Weather Service director Isaac Cline and his meteorologist brother Joseph Cline.
- 2009: Ain Gordon's play A Disaster Begins centers on the Galveston hurricane.
Read more about this topic: Galveston Hurricane Of 1900
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The genius of American culture and its integrity comes from fidelity to the light. Plain as day, we say. Happy as the day is long. Early to bed, early to rise. American virtues are daylight virtues: honesty, integrity, plain speech. We say yes when we mean yes and no when we mean no, and all else comes from the evil one. America presumes innocence and even the right to happiness.”
—Richard Rodriguez (b. 1944)