Culture
Route 66 runs through Gallup, and the town's name is mentioned in the lyrics to the song, "Route 66". In 2003, the U.S. and New Mexico Departments of Transportation renumbered US Highway 666, the city's other major highway, as Route 491, since the number "666" is associated with Satan and Devil worship, and thus it was considered offensive to some people.
The historic El Rancho Hotel & Motel has hosted a numerous array of movie stars including John Wayne, Ronald Reagan, Humphrey Bogart, Spencer Tracy, Katharine Hepburn, Joan Crawford, Kirk Douglas, Doris Day, Gregory Peck and Burt Lancaster. The rugged terrain surrounding Gallup was popular with Hollywood filmmakers during the 1940s and 1950s for the on-location shooting of Westerns. Actors and film crews would stay at the hotel during filming. Films made in Gallup included Billy the Kid (1930), Pursued (1947), The Sea of Grass (1947), Four Faces West (1948), Only the Valiant (1951), Ace in the Hole (1951), Escape from Fort Bravo (1953), A Distant Trumpet (1964) and The Hallelujah Trail (1965).
Gallup is sometimes called the "Indian Capital of the World", for its location in the heart of Native American lands, and the presence of Navajo, Zuni, Hopi and other tribes. One-third of the city's population has Native American roots. Gallup's nickname references the huge impact of the Native American cultures found in and around Gallup. However, the city is criticized in the novel Ceremony, authored by the Native American writer Leslie Marmon Silko, for the city's slums.
Gallup was the setting as the center of activity in a 2006 Sci Fi Channel mini-series The Lost Room, starring Peter Krause. Akon filmed a music video in Gallup in 2005. In 1994, parts of the movie Natural Born Killers were filmed in the city.
Read more about this topic: Gallup, New Mexico
Famous quotes containing the word culture:
“In society, in the best institutions of men, it is easy to detect a certain precocity. When we should still be growing children, we are already little men. Give me a culture which imports much muck from the meadows, and deepens the soil,—not that which trusts to heating manures, and improved implements, and modes of culture only!”
—Henry David Thoreau (1817–1862)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)