Culture
Route 66 runs through Gallup, and the town's name is mentioned in the lyrics to the song, "Route 66". In 2003, the U.S. and New Mexico Departments of Transportation renumbered US Highway 666, the city's other major highway, as Route 491, since the number "666" is associated with Satan and Devil worship, and thus it was considered offensive to some people.
The historic El Rancho Hotel & Motel has hosted a numerous array of movie stars including John Wayne, Ronald Reagan, Humphrey Bogart, Spencer Tracy, Katharine Hepburn, Joan Crawford, Kirk Douglas, Doris Day, Gregory Peck and Burt Lancaster. The rugged terrain surrounding Gallup was popular with Hollywood filmmakers during the 1940s and 1950s for the on-location shooting of Westerns. Actors and film crews would stay at the hotel during filming. Films made in Gallup included Billy the Kid (1930), Pursued (1947), The Sea of Grass (1947), Four Faces West (1948), Only the Valiant (1951), Ace in the Hole (1951), Escape from Fort Bravo (1953), A Distant Trumpet (1964) and The Hallelujah Trail (1965).
Gallup is sometimes called the "Indian Capital of the World", for its location in the heart of Native American lands, and the presence of Navajo, Zuni, Hopi and other tribes. One-third of the city's population has Native American roots. Gallup's nickname references the huge impact of the Native American cultures found in and around Gallup. However, the city is criticized in the novel Ceremony, authored by the Native American writer Leslie Marmon Silko, for the city's slums.
Gallup was the setting as the center of activity in a 2006 Sci Fi Channel mini-series The Lost Room, starring Peter Krause. Akon filmed a music video in Gallup in 2005. In 1994, parts of the movie Natural Born Killers were filmed in the city.
Read more about this topic: Gallup, New Mexico
Famous quotes containing the word culture:
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)
“All our civilization had meant nothing. The same culture that had nurtured the kindly enlightened people among whom I had been brought up, carried around with it war. Why should I not have known this? I did know it, but I did not believe it. I believed it as we believe we are going to die. Something that is to happen in some remote time.”
—Mary Heaton Vorse (1874–1966)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)