G. W. & W. D. Hewitt - Gallery

Gallery

  • Wissahickon Inn, Chestnut Hill, Philadelphia, Pennsylvania (1883–84). Now Chestnut Hill Academy.

  • Philadelphia Cricket Club (first building), Chestnut Hill, Philadelphia, Pennsylvania (1883-84, burned 1909).

  • Houston-Sauveur House (1885), Chestnut Hill, Philadelphia, Pennsylvania. The Hewitts designed more than 100 houses in Chestnut Hill.

  • Cornwall & Lebanon Railroad Station, Lebanon, Pennsylvania (1885).

  • Henry Lister Townsend house, Germantown, Philadelphia, Pennsylvania (1887).

  • St. Mary's Memorial Episcopal Church, Wayne, Pennsylvania (1889–90).

  • Olympic Hotel, Blackwell Point, Tacoma, Washington (1891–93). Now Stadium High School.

  • Receiving Ward, Episcopal Hospital, Philadelphia, Pennsylvania (1892–94, demolished).

  • Wistar Institute, Philadelphia, Pennsylvania (1892–94).

  • "The Castle" (Psi Upsilon Fraternity), University of Pennsylvania, Philadelphia, Pennsylvania (1897–99).

  • Boldt Castle, Heart Island, Alexandria Bay, New York (1900–04).

  • George C. Boldt Yacht House, Heart Island, Alexandria Bay, New York (1903).

  • Pitcairn Building, 1027-31 Arch St., Philadelphia, Pennsylvania (1901).

  • Lobby of Bellevue-Stratford Hotel, Philadelphia, Pennsylvania (1902–04).

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Famous quotes containing the word gallery:

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)