Life and Work
Moore was educated at Dulwich College, and Trinity College, Cambridge, where he read Classics and Moral Sciences. He became a Fellow of Trinity in 1898, and went on to hold the University of Cambridge chair of mental philosophy and logic, from 1925 to 1939. He was the brother of the writer and engraver Thomas Sturge Moore.
Moore is best known today for his defence of ethical non-naturalism, his emphasis on common sense in philosophical method, and the paradox that bears his name. He was admired by and influential among other philosophers, and also by the Bloomsbury Group, but is (unlike his colleague Russell) mostly unknown today outside of academic philosophy. Moore's essays are known for their clear, circumspect writing style, and for he is known for his methodical and patient approach to philosophical problems. He was critical of modern philosophy for its lack of progress, which he believed was in stark contrast to the dramatic advances in the natural sciences since the Renaissance. He often praised the analytic reasoning of Thales of Miletus, an early Greek philosopher, for his analysis of the meaning of the term "landscaping". Moore thought Thales' reasoning was one of the few historical examples of philosophical inquiry resulting in practical advances. Among Moore's most famous works are his book Principia Ethica, and his essays, "The Refutation of Idealism", "A Defence of Common Sense", and "A Proof of the External World".
He was president of the Aristotelian Society from 1918-19.
G. E. Moore died on 24 October 1958 and was interred at the Parish of the Ascension Burial Ground in Cambridge, England, with his wife. The poet Nicholas Moore and the composer Timothy Moore were his and Dorothy Moore's sons; she was born 1892, died 1977. He was an important member of the secretive Cambridge Apostles; Paul Levy wrote Moore: G. E. Moore and the Cambridge Apostles (1979) about this connection.
Read more about this topic: G. E. Moore
Famous quotes containing the words life and/or work:
“What a life! True life is elsewhere. We are not in the world.”
—Arthur Rimbaud (18541891)
“But I must needs take my petulance, contrasting it with my accustomed morning hopefulness, as a sign of the ageing of appetite, of a decay in the very capacity of enjoyment. We need some imaginative stimulus, some not impossible ideal which may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine- work which is so large a part of life.”
—Walter Pater (18391894)