Alföldys's main fields of research are:
- History and epigraphy of the Roman Empire
- Roman social, military and administrative history
- History of the Roman provinces
- Historiography of the Roman imperial era and late antiquity
- Roman prosopography
In the 1990s, Alföldy also concerned himself with the modern history of his native Hungary.
Within the scope of his epigraphical studies, Gezá Alföldy visited many countries (Albania, Algeria, Austria, Britain, Cyprus, Egypt, France, Greece, Hungary, Italy, Jordan, Libya, Portugal, Spain, Syria, Turkey, Tunisia, and Yugoslavia) in order to research original ancient inscriptions.
Furthermore, Alföldy was a guest professor at the Institute for Advanced Study, Princeton (1972/73), in Rome from 1986 and 2003, in Paris (1991), and Pécs (still in 1993) in Poznań (1992), in Budapest (1993), and also in Barcelona in 1997 and 1998.
Additionally he kept delivering diverse academic lectures within and outside Germany and supervised scores of new academics during their promotion or habilitation phases (more than one dozen alone since 1992).
Alföldy also became co-editor of scores of international academic journals and periodicals, his name was especially associated with the Heidelberger Althistorische Beiträge und Epigraphische Studien (HABES), which he edits alone since 1986. Alföldy is corresponding member or honorary member of multiple academic societies and academies and also a respected member of the Heidelberg Academy since 1978.
Apart from organizations like the Heidelberg Academy, Alföldy also worked at many other German research institutes: the Deutsche Forschungsgemeinschaft and the German Archaeological Institute, as well as at Italian, French, and Spanish facilities for research of classical antiquity.
Read more about this topic: Géza Alföldy
Other articles related to "work, works":
... Weorc or Work (Anglo-Saxon leader), who gave his name to Workington or 'Weorc-inga-tun', meaning the 'tun' (settlement) of the 'Weorcingas' (the people of Weorc or Work) ...
... language unknown to him would be brought in to work with Pike ... He pointed out that sometimes he did more of the work of a horse, other times he did more of the work of a donkey, but he was always both (Headland 2001508) ...
... His most famous work, the De re metallica libri xii long remained a standard work, and marks its author as one of the most accomplished chemists of his time ... The work is a complete and systematic treatise on mining and extractive metallurgy, illustrated with many fine and interesting woodcuts which illustrate every conceivable process to extract ... Until that time, Pliny's work Historia Naturalis was the main source of information on metals and mining techniques, and Agricola made numerous references to the Roman ...
... His work led to the discovery of the first evidence for the use by Palaeolithic man in the Caves of the Mendip Hills ... Balch continued the work from 1904 to 1914, where he led excavations of the entrance passage (1904–15), Witch's Kitchen (Chamber 1) and Hell's Ladder (1926–1927) and the Badger ... The 1911 work found a 4 to 7 feet (1.2–2.1 m) of stratification, mostly dating from the Iron age and sealed into place by Romano-British artefacts ...
... at Joachimsthal, a centre of mining and smelting works, his object being partly "to fill in the gaps in the art of healing", and partly to test what had been ... order the knowledge won by practical work, brought Agricola into notice it contained an approving letter from Erasmus at the beginning of the book ... theological and historical subjects, his chief historical work being the Dominatores Saxonici a prima origine ad hanc aetatem, published at Freiberg ...
Famous quotes containing the word work:
“Working women today are trying to achieve in the work world what men have achieved all alongbut men have always had the help of a woman at home who took care of all the other details of living! Today the working woman is also that woman at home, and without support services in the workplace and a respect for the work women do within and outside the home, the attempt to do both is taking its tollon women, on men, and on our children.”
—Jeanne Elium (20th century)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other mens genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“We all agree nowby we I mean intelligent people under sixtythat a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (18811962)