Gallery
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Fuzes fitted to M107 155mm artillery shells, circa 2000
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Fuzed 81mm white phosphorus mortar shell in 1980. Note spelling of "fuze" on adjacent boxes
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An assortment of fuzes for artillery and mortar shells
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British World War II 4-inch naval illuminating shell, showing time fuze (orange, top), illuminating compound (green) and parachute (white, bottom)
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Fuze for a Stokes mortar shell
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British No. 63 Mk I Time and Percussion fuze, circa 1915 - used in shrapnel shells
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British No. 100 Graze Fuze for high-explosive shell, World War I.
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British Percussion Fuze No. 110 Mk III, World War I, used in trench mortars
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British No. 131 D.A. (Direct Action) Impact Fuze, Mk VI, World War I, used in anti-aircraft artillery
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British No. 16 D Mk IV N Base percussion fuze, circa 1936
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British No. 45 P Direct Action Impact Fuze, World War I, used in howitzer shells
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Cut-away diagram of Japanese Type 99 Grenade showing fuze mechanism. Circa 1939
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Cut-away diagram of a US M2A4 bounding mine showing the M6A1 pressure/pull fuze. Circa 1950
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USSR pull-fuze designed for booby-trap or anti-handling purposes. Circa 1950s. Detonator assembly is inserted into explosives
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Alternative design of USSR booby-trap pull-fuze, usually connected to a tripwire. Circa 1950s
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USSR pressure fuze for booby-trap purposes e.g. victim steps on loose floorboard with fuze (connected to TNT explosives) concealed underneath. Circa 1950s
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Italian TC/2.4 mine circa 1980s showing central location of mechanical pressure fuze
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German S-mine dating from World War II showing fuze well into which a 3-pronged fuze would be screwed
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Fuze for a German S-mine, which would be screwed into the fuze well on the mine
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M4 anti tank mine, showing main fuze in the centre, plus 2 additional fuze pockets (both empty) which provide the option to fit anti-handling devices
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Typical configuration of a pull fuze and/or pressure-release fuze attached to M15 anti-tank landmines
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Famous quotes containing the word gallery:
“It doesnt matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (18601904)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)