Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| allmusic | |
Fur received mixed reviews upon release. In the Los Angeles Times, Steve Hochman wrote: "'Fur' is the perfect title for second solo release: like a teddy bear it's warm and cuddly, but with no teeth or claws. Part of the blame goes to producer Stephen Hague, whose synth-pop is all fluff and no character". The album was described as "shimmering mainstream pop that is sometimes reminiscent of Madonna" in the Daily News of Los Angeles.
The review on allmusic states that "'Rush Hour' and the haunting ballad 'The End of Love' are the best of the lot, with 'Song of the Factory' close behind, but many of the other tracks are filler, and a couple just don't work at all", concluding that "Fur largely sounds like Wiedlin was being led by EMI's A&R team instead of thinking for herself".
Read more about this topic: Fur (Jane Wiedlin Album)
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