Fur Fighter Bosses
These bosses are the Fur Fighters' families who need rescuing from different parts of the world.
Gwyneth
Tweek's mother and the real sixth member of the Fur Fighters—that is, before she was kidnapped and mutated by Viggo. She is now a metal dragon who soars the skies of New Quack City.
Juanita
Rico's wife. Ordinarily she keeps Rico in line when he says something... "inappropriate". She is now a giant penguin who contaminates the waters of Beaver Power.
Claude
Juliette's husband who is easily amused and a talented artist. He has become a gigantic creature in a space suit, who is destroying the main satellite of Cape Canardo.
Esmerelda
Bungalow's domineering wife. She has a habit of hitting Bungalow on the head with a saucepan. She is now a 200-foot (61 m)-tall monster who keeps the lava nice and warm in the swimming pool at Dinotopolis.
Mai
Chang's wife. She is also small in stature, and is also a Firefox. She has become a quick and agile force to be reckoned with in the form of a slithery silver fox, and resides in the distant temple of Anatat Tatanatat, aka City of Fear.
Winnie
Wife of Roofus who was kidnapped and thrown into a portal by Viggo. She is now an enormous and powerful force to be reckoned with in the form of a large, malevolent dog, and resides in the distant temple of Anatat Tatanatat, aka City of Fear.
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Famous quotes containing the words fur, fighter and/or bosses:
“You may say a cat uses good grammar. Well, a cat does—but you let a cat get excited once; you let a cat get to pulling fur with another cat on a shed, nights, and you’ll hear grammar that will give you the lockjaw. Ignorant people think it’s the noise which fighting cats make that is so aggravating, but it ain’t so; it’s the sickening grammar they use.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“A pleasant smell of frying sausages
Attacks the sense, along with an old, mostly invisible
Photograph of what seems to be girls lounging around
An old fighter bomber, circa 1942 vintage.”
—John Ashbery (b. 1927)
“The bosses of our mass media, press, radio, film and television, succeed in their aim of taking our minds off disaster. Thus, the distraction they offer demands the antidote of maximum concentration on disaster.”
—Ernst Fischer (1899–1972)